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Packaging design for offline experiences operates on the same strategic principles, but the context is entirely physical. Skincare brands like Plum Skincare with their serums, Kama Ayurveda’s glass oil bottles, and Forest Essentials’ premium ayurvedic jars, as well as food and beverage brands such as Vahdam’s tea tins, Sleepy Owl’s coffee packs, The Whole Truth’s protein bars, or Indri’s whisky bottles, are all designed to perform in-store. In modern and general trade, customers aren’t scrolling, they’re scanning shelves, noticing packs from a distance, picking them up, and making decisions within seconds. Offline packaging therefore has to create impact at eye level, feel credible in hand, and sustain interest through touch, weight, material, and finish, because every physical interaction influences whether the product ends up in the basket.

Offline packaging design is judged through multiple senses, not just sight. While visuals are important, factors such as material quality, weight, finish, and form heavily influence perception. A matte-finish glass bottle from Kama Ayurveda communicates calm, authenticity, and ritual, while Forest Essentials’ heavier containers and refined detailing reinforce luxury and craftsmanship. In contrast, brands like Plum Skincare use lighter materials and brighter colour systems for their serums and creams to signal accessibility and modernity.
In food and beverage categories, this difference becomes even more pronounced. Vahdam’s rigid tea boxes and tins feel premium and giftable, while Sleepy Owl’s coffee packaging balances functionality with bold shelf visibility. The Whole Truth’s protein bars rely on clean layouts and straightforward information hierarchy to communicate honesty and transparency in a crowded nutrition aisle. These decisions are not aesthetic alone. They are responses to shelf behaviour, category norms, and consumer expectations in offline retail.

At Confetti, offline packaging is treated as a physical experience, not a digital layout sent for print. We design packaging as a complete system that considers how it will be noticed on a shelf, picked up, handled, opened, and evaluated in real retail environments. Our work spans the full structure of the pack, from the unboxing sequence and material selection to the Front of Pack for shelf impact, the Side of Pack for continuity and storytelling, and the Back of Pack for compliance, ingredients, and mandatory information. Each layer is designed with a clear role, ensuring the pack works cohesively rather than as isolated surfaces.
A critical part of our process is physical testing. We print the packaging and assess it as a real product, because colours shift in print, typography behaves differently at scale, and finishes like matte, gloss, embossing, or foil interact with store lighting in unpredictable ways. We often test printed packs alongside competing products from the same category to evaluate true shelf presence and differentiation. This helps clients to approve a physical object that closely mirrors what customers will actually experience in-store.
Offline packaging often underperforms when it is designed without physical context. Some of the most common mistakes include:
Confetti’s approach prioritises physical realism and shelf-level performance. By designing packaging for the environment it actually lives in, we ensure it doesn’t just look good, but works where purchase decisions are truly made.

We worked with Bingo (by ITC) to help them launch India’s next viral beverage; Aam Panna
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Global award-winning Identity & packaging design for US's health & lifestyle startup AIM Nutrition
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Building India’s fastest growing D2C supplements brand, Miduty by redesigning their branding, packaging & e-commerce website
Offline packaging has to work much harder in the real world. It competes physically from multiple angles, distances, and lighting conditions, often surrounded by similar products fighting for the same attention. Shoppers can pick it up, turn it around, feel the material, and make a decision in seconds. That makes structure, contrast, hierarchy, and material just as important as the front-facing design.
Digital or e-commerce packaging plays by different rules. There’s no true shelf, no tactile experience, and no side-on visibility. What matters most is how the pack reads on a screen, often at a small size and in isolation. At Confetti, we design offline-first packaging very differently from screen-first packs because the environments demand different thinking. If you’re unsure whether your product’s primary battle is on shelf or on screen, hopping on a short call with our experts can help you make that call before design decisions are locked in.
In physical retail, material, weight, and finish quietly shape how a product is judged before it’s even read. Heavier packs tend to feel more premium, softer finishes suggest care and comfort, and material quality often sets expectations around price. These cues work instinctively. Customers may not consciously analyse them, but they influence whether a product feels worth picking up and paying for.
You can see this in brands like Skims, where tactile packaging reinforces ideas of softness and premium comfort in-hand. At Confetti, finish and material testing are built into the design process, and we work closely with vendors to understand what’s actually achievable at scale. If you want to define how your product should feel the moment someone holds it, hopping on a short call with our experts is the best place to start that conversation.
Physical prototyping matters because screens lie. They can’t show true texture, real scale, colour shifts, or how finishes behave under store lighting. What looks balanced on a laptop can feel flat, overly busy, or completely different once printed and held. This is why many retail brands only spot issues once physical mockups are made, often far later than they’d like.
At Confetti, prototyping is built in before final approval, not treated as an optional extra. It allows us to test, adjust, and lock decisions with confidence, rather than fixing problems after production has started. If you want to plan print testing in a way that’s practical and cost-aware, hopping on a short call with our team can help map out what’s worth testing and what isn’t.
Standing out on a crowded shelf starts with understanding how customers choose, not just how competitors look. People respond to emotion first, then logic. Once we understand what a customer wants to feel in that category, we look at the unspoken rules everyone else is following and decide which ones are actually worth breaking. That’s where distinction usually comes from, not from adding more graphics or louder claims.
Olly is a good example. In a category dominated by muted, clinical palettes, it chose to own bold colour, making the brand instantly recognisable from a distance. At Confetti, shelf audits are a key part of this process. We study real retail environments to see what’s blending in and what’s being ignored. If you want to understand how your product will sit in its actual shelf context, getting on a short call with our team lets us review that environment together and spot opportunities early.
Offline packaging should be tested against competing products once the initial design direction is set, but before mass production begins. This is when the pack can be evaluated in real conditions, placed next to competitors, viewed at shelf distance, and judged under store lighting. Brands that test at this stage avoid costly redesigns later, because issues around visibility, hierarchy, or differentiation surface early. At Confetti, this testing typically happens mid–design phase and runs for around two weeks. If you want to plan this at the right moment without slowing the project down, hopping on a short call with our team can help map out a sensible testing window.
